How Netflix turned Stranger Things into a global OOH experience

How Netflix turned Stranger Things into a global OOH experience

Netflix's Stranger Things campaign

To launch the final season of Stranger Things, Netflix delivered one of the most spectacular out-of-home campaigns of the year, fully showcasing the potential of OOH. From Sydney to London, and from Paris to Berlin, urban spaces were transformed into the dark world of the Upside Down, creating memorable brand experiences on a global scale.

With success: The global campaign for Stranger Things Season 5 delivered remarkable results and set new benchmarks in reach and fan engagement.

Key Results:

  • Events in 28 cities across 21 countries on six continents
  • 59.6 million views at launch — 171% higher than the debut of Season 4
  • All four previous seasons returned to the Netflix Global Top 10 simultaneously
  • Over 2,000 attendees at the live event in Tokyo featuring cast and creators
  • Tens of thousands of fans at the “One Last Ride” street festival in Los Angeles
  • Viral social media reach in the millions

Sydney and the Rift projection

One of the most striking moments took place in Sydney. At Circular Quay, Netflix staged a massive blood-red Rift projection that transformed the entire harbour area into an Upside Down setting. Fog, red lighting, and Vecna visuals created a cinematic scene perfectly aligned with the Harbour Bridge, generating a huge amount of social content.

The spectacle was extended with a Hawkins-themed zone around Squire’s Landing, featuring photo opportunities and a dedicated viewing deck. Netflix went even further. In collaboration with KFC, the Hawkins Fried Chicken restaurant opened from November 28 to 29, hidden inside an abandoned tunnel beneath Wynyard Station. Visitors walked through a Stranger Things tunnel before entering a diner styled like an 80s restaurant.

Beamer Projektion des Stranger Things Events in Sydney am Hafen.
© Netflix

One Last Ride and The Last Bike Ride Across the U.S.

“One Last Ride” in Los Angeles marked one of the campaign’s most memorable highlights. In collaboration with CicLAvia, the car-free Melrose Avenue was transformed into a nostalgic fan zone inspired by Stranger Things — complete with themed attractions, live music, retro food trucks, and photo ops. Tens of thousands of fans, many dressed in '80s outfits, joined the event, generating both on-site excitement and massive social media buzz.

At the same time, eight other U.S. cities including New York, Chicago, and San Francisco hosted self-guided experiences under the banner “The Last Bike Ride,” inviting fans to explore Stranger Things–themed routes and local activations on their own.

Stranger Things Bicycle in LA.
© Joe Linton/ Streetsblog

One Last Adventure in Tokyo

In Tokyo, more than 2,000 fans attended the "One Last Adventure" event at Livedoor Sports Park. The venue featured life-sized recreations of key sets from the series, including Hawkins’ small-town streets and the laboratory complex. The highlight of the event was the appearance of lead actors Finn Wolfhard, Gaten Matarazzo, Caleb McLaughlin and Noah Schnapp, along with the Duffer Brothers. They premiered the first episode of the new season on a large stage and signed autographs for fans. The rare opportunity for direct interaction created an unforgettable experience and enthusiastic response from the audience.

London under the influence of the Upside Down

In London, atmospheric visuals circulated widely on Instagram. Large-scale billboards, installations, and city light posters featuring Stranger Things motifs took over the city, accompanied by dark red lighting on streets and façades. The city appeared to slip into the Upside Down.

The twist: the visuals were fan art and fully AI-generated. They were not real OOH executions in public space but examples of FOOH, or Fake Out-of-Home. Despite this, the images spread rapidly on social media, creating additional hype as well as criticism from confused fans, since the AI origin was not always clearly communicated.

KI-generiertes Bild zur Schattenwelt von Stranger Things in London.
© Vincent Smadja & Netflix

Stranger Things around the world

Beyond these flagship executions, Netflix rolled out many additional activations worldwide. Cities across the United States, Mexico City, Paris, Johannesburg, Istanbul, Jakarta and many others hosted local Stranger Things experiences. These ranged from premieres and fan rides to temporary experience zones and large-scale street activations. Each execution was adapted to local contexts, demonstrating how the Stranger Things universe could be scaled internationally.

Hangout spot in Jakarta designed as the Upside Down.
© Netflix/ campaignasia

Why the campaign worked so well

1. Cross-channel execution
Netflix seamlessly combined physical installations with digital storytelling. Every activation was designed with social media in mind and generated organic reach.

2. Location-based storytelling
Rather than placing standard ads, Netflix transformed real locations. Sydney Harbour became a Rift, London’s streets turned into the Upside Down.

3. Scalable formats
From landmark takeovers to classic bus shelter posters, the campaign worked across different formats and markets.

4. Emotional engagement
The campaign focused on experience, not just visibility. Fans were invited to step directly into the Stranger Things universe.

Learnings for OOH campaigns

This campaign clearly illustrates how out-of-home is evolving. It is no longer only about visibility but about immersive brand experiences. Successful OOH campaigns today rely on landmark activations that instantly capture attention, are extended through social media to generate organic reach and amplification, and use interactive elements to create real engagement on site.

With Stranger Things, Netflix demonstrated that OOH can create unique cultural moments when the medium is used to its full potential.

Sources: Mumbrella, Resolution X, Rolling Stone, BM Outdoor, Invidis, various social media posts